PHOTOSENSITIVITY IS THE NEW 2020 PERCORSI FOTOSENSIBILI'S  CONTEST, THE THEME IS: CONTEMPORARY.
CONTEMPORARY IS WHAT HAS PLACES, HAPPENS, LIVES OR WORKS IN THE SAME PERIOD OF TIME. BUT HOW IS A CONTEMPORARY PERSPECTIVE OUTLINE? WHAT IS CONTEMPORARY TO US REALLY? HOW DO WE COMPARE WITH THE CONTEMPORARY HISTORY OF OUR WORLD? THE DEFINITION OF CONTEMPORANEITY IS NATURALLY ALWAYS IN MOTION BUT, HOW MUCH UNFERRABLE, THEY CAN BE ATTRIBUTED AS ADJUSTIVE AS FLUID, GLOBALIZED, CULTURALLY DIVERSIFIED AND TECHNOLOGICALLY ADVANCED. THE WORLD IS REDEFINING ITS SAME BOUNDARIES, AND IT'S EVERYONE'S ABOUT US TO ASK US ABOUT HOW IT HAS IMPACTED OUR LIVES. IF THE PHOTOGRAPHY IS THE MIRROR OF THE REALITY THAT IT DESCRIBES, AND IF TODAY THIS REALITY APPEARS ALWAYS MORE COMPLEX, INEFFECTIVE, WITHOUT RIGID AND DEFINABLE CATEGORIES, SO THEY ARE (OR SHOULD BE) EVEN THE IMAGES WE PRODUCE. ALWAYS MORE PHOTOGRAPHIC ART HYBRID, CONTAMINATES, ABOLISHES GENDER BARRIERS. IT INTERVERS WITH OTHER ARTISTIC PRACTICES, ABOLISHES THE CONCEPT OF PROFESSION, IN A DYNAMIC COMBINATION OF SUBJECTS, STYLES AND TECHNIQUES THAT NO LONGER ALLOW A CLEAR AND UNIVERSAL DEFINITION. CONTEMPORARY, DIFFERENT AND ECLECTIC PHOTOGRAPHY IS THEREFORE DISTINGUISHED BY THE LACK OF ITS OWN ORGANIZATIONAL PRINCIPLE, BUT IT IS RECONFIRMED AS A POWERFUL TOOL TO REFLECT ON RELATIONSHIPS, ON IDENTITY, ON THE RELEVANCE OF THE MAN, ON THE LEVEL OF THE MAN, IN THE KNOWLEDGE OF THE MAN, IN THE KNOWLEDGE OF THE MAN, IN THE KNOWLEDGE OF THE MAN, IN THE KNOWLEDGE OF THE KNOWLEDGE OF THE MAN, AS IS HUMAN IMPACT ON THE PLANET.


OPENING APPLICATIONS: FEBRUARY 2020